The Parallel Course of Latin America

A vibrant collage of Latin American art styles, showcasing indigenous and European influences, featuring elements like colorful textiles, religious imagery, and baroque architecture.

Artistic Heritage of Latin America

Discover the rich blend of European and indigenous influences in Latin American art through our engaging quiz! Test your knowledge about the unique characteristics, styles, and significant artists that shaped this vibrant cultural landscape.

  • 10 thought-provoking questions
  • Multiple choice and checkbox formats
  • Perfect for art enthusiasts and students alike
10 Questions2 MinutesCreated by ExploringArt2023
Blending of European and indigenous American cultures during 16th/17th centuries is called:
Contemporary art
Hybrid art
Traditional art
Neoclassical art
Two of the most appealing art forms were ________ and ___________
Frescos and Acrylics
Oil and Frescos
Feather Mosaics and Andean textiles
Marble and Bronze
Characteristics of Juaréz's Saints Justus and Pastor include:
Using motifs
Figures highlighted in tenebristic manner
Darkened architectural elements
Painterly brushwork
A guild of European painters was established in ___________ In 1557, and they controlled ____________ at the capital.
Mexico City, artistic production
France, artists
Italy, artistic production
France, artists
True or False? Christian imagery of the New World stays very close to Iberian prototypes.
True
False
Jose Juaréz’s pupil was _________.
Francisco de Zubarán
Miguel Cabrera
Juan Carreño de Miranda
Baltasar de Echave Rioja
Which one of these is not an aspect of the work that came out of the Cuzco School?
Clever use of 3D perspective
Mainly religious painting
Influenced by the art of the Americas
Used lots of earth tones (reds, greens, yellows, etc)
Almost all scholars agree that the dominant artists participated in various ways in the ________ style.
Mannerist
High Renaissance
Baroque
All of the above
True or False? In Mexico, the first three artists who defined the new colonial school of Seville could be categorized as Italo-Flemish mannerists.
True
False
The late baroque phenomenon in Central Europe and Italy that paralleled the development of rococo forms in France can be called:
Churrigueresco
Churrigueresque
€Ulta-baroque”
None of the above
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