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Mixing and Masterting Final

I am listening in the control room to the band in the tracking room. I am using near field monitors to do this.
True
False
I am recording using a ribbon mic. It has a cartiode pickup pattern.
True
False
I am using a dynamic mic. It needs phantom power.
True
False
I can create a drum sub mix bus by sending all the drum channel outputs to a common stereo aux track
True
False
I can use the 'smart tool' to create cossfades.
True
False
I have a noise floor of 20 Db. I should use a compressor to get rid of it.
True
False
I should mix Pro Tools in Mix view.
True
False
I should plug my mic into a compressor and then route it to the mic pre to record a vocal.
True
False
I should use a "shock mount" to keep from getting shocked by the phantom power in my condenser mic.
True
False
I should use an insert for an FX plugin.
True
False
If my volume level is too low to record I should adjust the "gain" control.
Ture
False
My SM 57 mic has a figure 8 pickup pattern.
True
False
My U87 doesn't need phantom power.
Ture
False
My U87 is a condenser mic.
True
False
My bass player's direct box is sending too hot a signal to the recording board. I should use a "pad" to attenuate the signal.
True
False
My Guitarist should plug his guitar directly into my EBU insert.
True
False
My laptop can run ProTools HDX
True
False
My vocal Track has a lot of Sibelance. I should use a de-esser plugin.
True
False
The track types I'd find in ProTools are Aduio, MIDI, Instrument, VCA, Aux and Master Fader.
True
Flase
To cut lows out of drum overheads I should use a "low pass" filter.
True
False
To limit the frequency bandwidth selected in parametric EQ the engineer should adjust to "Q".
 
 
You should use an instrument cable to connect an SM 57 to a mic panel.
True
False
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