THEORY OF ARCHITECTURE

A phenomenon of light and visual perception that may be described in terms of an individual's perception of hue saturation, and lightness for objects, and hue, saturation, and brightness for light sources.

Shape and structure of something as distinguished from its substance or material.

The outline of surface configuration of a particular form or figure.

Characterized or produced by addition, accumulation, or uniting, often resulting in a new identity.

Unified composition of two-dimensional shapes or three-dimensional volumes, esp. One that has or gives the impression of weight, density, and bulk.

Characterized or produced by removal of a part or portion without destroying a sense of the whole.

The edge or contour of a shape.

The outline or surface configuration of a particular form or figure.

Having a characteristic arrangement and consideration as a unit, of which an idea can be given by a fragment.

The visual and esp. Tactile quality of a surface apart from its color or form.

An arrangement or pattern of colors conceived of as forming an integrated whole.

The color wheel showing complementary color opposite each other. Also called color circle.

Any set of colors, such as red yellow, and blue, regarded as generating all other colors.

One of a pair of opposing colors on a color wheel, perceived as completing or enhancing each other.

The measurement and study of the size and proportion of the human body.

Study of measurable distances between people as they interact.

The sensory experience of bodily position, presence, or movement derived chiefly from stimulation of nerve ending in muscles, tendons, and joints.

An applied science concerned with the characteristics of people that need to considered in the design devices and systems on order that people and things will interact effectively and safety.

The unending sequence of numbers where the first two terms are 1 and 1 and each succeeding term is the sum of the two immediately preceding.