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Quizzes > Lifestyle & Hobbies

Printmaking Quiz: Which Statement Is Not True?

Quick, free relief and intaglio quiz to test your knowledge. Instant results.

Editorial: Review CompletedCreated By: Matas NuhUpdated Aug 27, 2025
Difficulty: Moderate
2-5mins
Learning OutcomesCheat Sheet
Illustration of paper art for a free printmaking knowledge quiz on a golden yellow background.

This printmaking quiz helps you check key facts and spot what is not true about relief, intaglio, lithography, and more as you go. Explore deeper with a lithography technique quiz, compare workflows in analog vs digital images, or practice layer edits in an adjustment layers quiz.

In relief printmaking, how is the image created?
Ink is absorbed into paper without a plate
Ink sits in recessed lines
Ink is sprayed through a stencil
Ink is applied to raised surfaces
Relief printing works by carving away non-image areas so that the remaining raised surface picks up ink and transfers it to paper. Common relief methods include woodcut and linocut, both characterized by this technique. The recessed or carved-away areas stay ink-free, creating the final image.
Which tool is commonly used for engraving in intaglio printmaking?
Tarlatan
Burin
Brayer
Gouge
A burin is a hardened steel tool used to incise lines directly into a metal plate in engraving, one of the main intaglio processes. The burin's sharp tip allows the artist precise control over line width and depth. Other tools like gouges are more common in relief methods, while brayers are rollers for inking.
Lithography relies on which principle for printing?
Carving into woodblocks
Oil and water repellence
Acid etching of metal
Stenciling through mesh screens
Lithography is a planographic process that exploits the immiscibility of oil and water: greasy marks attract ink, while damp areas repel it. The image is drawn with a greasy medium onto a flat limestone or metal plate. After chemical processing, ink adheres only where the drawing was made.
What material was traditionally used for the mesh in serigraphy (screen printing)?
Silk
Copper
Wood
Glass
Serigraphy, or screen printing, originally used fine silk meshes to transfer ink through a stencil onto a substrate. Modern screens often use synthetic materials, but the term 'silk screen' persists. Copper and wood are used in intaglio and relief, not mesh.
What is a brayer used for in printmaking?
Rolling ink onto the printing surface
Carving details into a plate
Transferring an image to paper
Cleaning the press bed
A brayer is a hand-held roller used to apply and spread ink evenly over a printing surface or plate in relief and intaglio methods. It ensures a uniform layer of ink before printing. Brayers are not carving tools, nor do they transfer printed images directly.
Which printmaking process commonly uses acid baths to bite lines into a plate?
Lithography
Relief
Screen printing
Intaglio
Intaglio processes like etching involve submerging a metal plate in an acid bath to etch or 'bite' lines where the protective ground has been removed. Relief, lithography, and screen printing do not use acid baths.
A woodcut print is an example of which printmaking technique?
Relief printing
Planographic printing
Intaglio printing
Stencil printing
Woodcut is a relief method where the artist carves away non-image areas from a wood block, leaving raised surfaces to pick up ink. Intaglio and planographic (lithography) are different families, and stencil printing describes screen printing.
In multicolor screen printing, what does registration refer to?
Mixing inks to match a color swatch
Cleaning the screen between uses
Aligning multiple screens for accurate color placement
Carving out non-image areas on a block
Registration is the process of precisely aligning each screen or stencil in multicolor printing so that colors overlay correctly. Misregistration leads to blurred or offset colors. The term is widely used across different print methods.
Aquatint is most commonly used to achieve what effect?
Printing single flat colors
Pressing images without a plate
Tonal shading similar to watercolor
Carving fine lines in wood
Aquatint creates areas of tone by applying a powdered resin that, when heated, adheres to the plate and resists acid. The resulting granular texture produces washes of tone reminiscent of watercolor. It is distinct from line-based etching techniques.
Which metal is traditionally favored for intaglio plates due to its softness and detail retention?
Zinc
Copper
Brass
Iron
Copper is the traditional choice for intaglio plates because its softness allows artists to incise fine detail, and it withstands repeated acid bites. Zinc is also used but is harder and less forgiving. Iron and brass are uncommon for detailed intaglio.
Mezzotint is characterized by which process?
Roughening the whole plate then smoothing areas for lighter tones
Applying a photopolymer to transfer images
Etching lines with acid in varying concentrations
Screen-printing ink through stencils
Mezzotint uses a rocking tool to create a burr across the plate, yielding rich dark tones when inked. The artist then burnishes or smooths areas to reduce ink retention, creating lighter values. This tonal method is unique among intaglio techniques.
In etching printmaking, what is the purpose of the acid-resistant ground?
To add color to the etched lines
To protect certain areas of the plate from being bitten by acid
To burnish metal for smoother prints
To adhere paper to the plate
The ground, typically made of wax or resin, covers areas of the plate that the artist does not want etched. When the plate is submerged in acid, only exposed metal is bitten, creating incised lines. Removing the ground reveals the pattern of the design.
What best describes a monotype print?
A unique one-of-a-kind impression from a painted plate
A relief print made on wood
A print with only one color used
A mass-produced digital print
Monotype is a printmaking process where the artist paints or inks a smooth plate and then transfers the image to paper, producing a single unique print. Unlike other methods, it yields no identical duplicates. The residual plate can sometimes create a palimpsest or ghost print.
Which printmaking technique involves creating a plate by applying and carving layers of cardboard, glue, and textured materials?
Photogravure
Linocut
Collagraph
Screen printing
Collagraphy involves building up a printing plate with various textures - often cardboard, fabric, and adhesives - and then either inking in relief or intaglio ways. The plate is then run through a press. It is valued for its versatility and rich surfaces.
In chine-collé, why is thin decorative paper used during printing?
To adhere the thin paper onto a heavier support for a delicate image
To clean the printing plate
To resist acid in etching processes
To measure precisely the ink thickness
Chine-collé involves placing a thin, often colored or patterned paper on top of a damp heavier sheet during printing. The thin sheet picks up the image and simultaneously adheres to the support. This technique yields crisp detail on delicate papers.
Which printmaking method involves scratching directly onto a plate with a sharp tool, producing a burr that holds ink?
Aquatint
Lithography
Drypoint
Woodcut
Drypoint is an intaglio technique where the artist scratches lines into a metal plate with a sharp needle, creating a burr that holds ink and produces characteristically soft, rich lines. Unlike etching, no acid is used. The burr can wear down quickly, making early impressions especially valued.
What is photogravure printing?
Relief printing using photographic film
An intaglio process that transfers a photographic image onto plate using light-sensitive gelatin
Lithography with a photographic negative on stone
Screen printing using photosensitive emulsions only for stencils
Photogravure is a photomechanical intaglio process where a gelatin layer sensitized to light is exposed under a photographic positive, then transferred to a copper plate and etched to varying depths. It yields high-quality photographic images with rich tonal range.
Which advanced printmaking technique uses inks of different viscosities on a single plate to produce multi-colored images?
Viscosity printing
Monoprint
Mezzotint
Sugar-lift aquatint
Viscosity printing, developed by Stanley William Hayter, exploits inks of varying viscosity and tack so that thinner inks roll off relief areas while thicker inks stick in intaglio recesses. This enables multiple colors to be printed from a single plate in one pass.
In sugar-lift aquatint, how is the sugar solution used?
To mix with ink for color suspension
To polish the plate after etching
To register multiple plates accurately
As a resist that is lifted off during etching to create painterly effects
Sugar-lift aquatint involves painting a solution of sugar and ink onto the plate, then covering it with resin dust. When the plate is soaked, the sugar dissolves and lifts the ground in painted areas, allowing acid to bite those areas for expressive tone.
What does a foul-bite refer to in etching?
The process of mixing rosin for aquatint
An unintended undercut or acid bite beneath the ground
A successful tonal variation technique
The term for cleaning the plate after printing
A foul-bite occurs when acid seeps under the protective ground, creating unintended rough lines or areas on the plate. It is generally considered a flaw and is avoided by ensuring the ground is thoroughly applied and baked.
What is a giclée print?
A high-quality inkjet print using archival pigments for art reproduction
An acid-etched photograph on metal
A gold leaf transfer print
A type of relief print on wooden blocks
Giclée refers to fine-art digital prints made with high-resolution inkjet printers using archival pigment inks on quality substrates. It is widely used for reproducing paintings and photographs with exceptional color fidelity and longevity.
Which factor most influences the depth and width of lines bitten into a plate during etching?
Mesh count of the screen
Acid concentration and exposure time
Ink brayer hardness
Paper weight
In etching, stronger acid or longer immersion times bite deeper and broader into the plate, creating darker, bolder lines. Weaker acid or shorter exposure yields finer, shallower lines. Paper weight and screen mesh are unrelated variables.
What wavelength of light is typically used to expose photopolymer plates in contemporary printmaking?
Ultraviolet
Infrared
Green visible light
Ultraviolet-C
Photopolymer plates are cured or hardened by ultraviolet (UV) light, which triggers polymerization in the light-sensitive emulsion. Infrared and visible green lights do not effectively initiate this chemical reaction. UV-C is too energetic and not typically used, whereas UV-A or UV-B are standard.
What is the purpose of creating a counterproof in printmaking?
To test paper moisture before printing the main edition
To permanently fix inks to the paper by heat setting
To remove excess ink from the plate after printing
To produce a delicate, reversed second impression useful for annotations or registration
A counterproof is made by pressing a freshly printed image onto a second sheet, yielding a reversed, lighter impression. This can be used for checking details, annotations, or aligning subsequent plates in multi-plate processes. It is not for drying or cleaning.
In carborundum collagraph printing, what material is sprinkled onto the plate to create textured surfaces?
Carborundum grit
Rosin
Sandpaper
Glue only
Carborundum collagraph uses silicon carbide (carborundum) grit adhered to the plate with glue or paint to build up rich textures and tonal areas. The grit holds ink and produces velvety blacks and unique surfaces in the final print.
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Study Outcomes

  1. Analyze printmaking techniques -

    Differentiate between lithography, intaglio and serigraphy by examining their unique processes and materials.

  2. Identify false statements -

    Spot inaccuracies in statements about printmaking to answer "which of the following is not true about printmaking" questions with confidence.

  3. Recall key terminology -

    Define essential printmaking vocabulary to better understand and discuss various printmaking processes.

  4. Apply critical thinking -

    Use reasoning skills to solve printmaking trivia challenges and deepen your knowledge of the craft.

  5. Evaluate quiz strategies -

    Assess your performance on the printmaking quiz to pinpoint strengths and areas for improvement.

  6. Enhance art appreciation -

    Gain insights into the history and evolution of printmaking techniques, enriching your creative perspective.

Cheat Sheet

  1. Lithography Fundamentals -

    Lithography relies on the repulsion of oil-based inks and water on a flat limestone or aluminum plate. Artists draw with a greasy medium, then dampen the surface so ink adheres only to the image areas. Use the mnemonic "Oil and Water Don't Mingle" to recall this planographic process.

  2. Intaglio Processes Explained -

    In intaglio printmaking, designs are incised into a metal plate via engraving or acid etching, trapping ink in the recessed lines. A high-pressure press forces paper into these grooves to lift the ink, creating crisp, detailed images. Remember that deeper etches hold more ink for darker lines - think "Depth Equals Darkness."

  3. Relief Printing Basics -

    Relief methods like woodcut and linocut involve carving away non-image areas from a block so ink rolls only on the raised surface. This direct approach is beginner-friendly and famous for bold, graphic results in historical and contemporary work. Try a simple linocut first to feel how positive and negative shapes interact.

  4. Serigraphy (Screen Printing) -

    Serigraphy uses a fine mesh screen and stencil to push ink through open areas onto paper or fabric. Popularized by artists like Andy Warhol, it's perfect for vibrant, multi-layered color work. A tip: register screens with pins or tape to keep each color layer perfectly aligned.

  5. Editioning and Registration -

    Accurate registration ensures successive color passes line up precisely - use hinge pins or marks on the press bed as a guide. Numbering editions (e.g., 5/50) indicates the print's sequence and total run, bolstering its value and authenticity. Always sign and date each print to meet museum and gallery standards.

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