Explore Philippine Sculpture: Knowledge Quiz
Explore Philippine Sculpture: Knowledge Quiz
Test your knowledge of Philippine sculpture and art forms! This quiz comprises 28 questions that cover various techniques, materials, and notable artists in the field. Challenge yourself and discover how well you know the intricacies of sculpture.
- 28 thought-provoking questions
- Multiple choice format
- Covers materials and techniques used in sculpture
is the most familiar art forms among Filipinos. From the transitional carving of anitos to the santos to Christ and down to the saints, Filipinos find it rather not difficult as they are already familiar with the ways of the wood.
Philippine sculpture
Style
ART PRODUCTION
It can only be carved, drilled, abraded, and polished.
Stone
Wood
Resin
Wax
It lends itself to the same processes more easily although modern technology permits it to be permanently bent and molded. Wood is appealing for its grain, its color, and its origin in a living tree.
Wood
Resin
Clay/terracotta
Bronze
It can be cast, cut, drilled, filled, extruded, bent, forged and stamped
Metal
Stone
Brass
Is done in brass standing on wood base. With the skillful use of brass and excellent understanding of balance, Imao is able to make a vertical sculpture dominated by curve lines that smoothly flow from one element to the next. This diffuses the weight and makes the sculpture look light.
Abdulmari Imao's sarimanok with 8 fishes
Franco cagayat's jeepney and cars
Ramon orlina
Julie Lluch pacita abad
Charlie cos's ai weiwei's bust
It has beautiful surface and color characteristics and is the most common casting material.
Wax
Resin
Wood
Bronze
It is not very permanent and can easily be changed or damaged in handling. It can also be deformed when exposed to heat
Bronze
Clay/terracotta
Wax
Is more responsive than wood or stone. However it possesses little Strength in tension or compression and requires an armature for support.
Resin
Wax
Clay/terracotta
It is becoming popular in the Philippines. It is used by many installation artists and sculptors.
Resin
Wood
Stone
Modeled sculptures are created when a soft or malleable material such as clay, is built using an armature and then shaped to create a form.
Carving
Assembling
Modeling
Involves cutting or chipping away a shape from a mass of stone, wood, or other hard material. It is a subtractive process where the material is systematically eliminated from the outside.
Constructivism
Monolithic
Carving
When a sculpture is formed using clay, it is made permanent through plaster of paris.
Casting
Assembling
Modeling
Sculptors gather and put together different materials, including found objects to create an assembled sculpture.
Assembling
Sculpture
Casting
Carving
Is carved from a slab of stone and is limited by the material's shape and size.
Kinetic sculpture
Monolithic sculpture
Constructivism
Is popular among contemporary artists. It makes use of new materials such as plastics, plexiglass, metal wire, etc., and allows a break from the figurative representation of sculpture.
Monolithic sculpture
Kinetic sculpture
Constructivism
Provides a method to the contemporary artist that abandons carving, modeling, and casting.
Sculpture assemblage
Constructivism
Monolithic sculpture
Is a sculpture in mechanical motion.
Constructivism
Monolithic
Kinetic sculpture
Is a recessed place in a wall where a sculptured figure or bust can be located. It is important to think of niche sculptures as "born from" walls, conceived out of necessity to endow plane surfaces with dramatic meaning.
Grottoes
Boxed
Niche
Are closed and can become packages, a portable container for something worth keeping. They are distinguished by their careful craftsmanship and connection to something.
Niches
Grotto
Boxes
Is not associated with the wall and is more like a room. It relates instead to the vault or convoluted inner spaces of natural caverns. The shaping of interior space resembles a hybrid form of sculpture and architecture.
Niche
Boxes
Grotto
Renato Habulan’s “Takak Series #s 1, 2, 3, 4” . As a social realist, the sculptor uses his art as a commentary to social realities.
True
False
Michelle Hollanes Lua’s “Jeepney and cars”
True
False
Wilson Baldemor’s “Vise Tandem”.
True
False
Lucell Larawan’s “Prostrate”
True
False
Josephine Turalba’s “General Mariana”
True
False
Ed Defensor’s “Gates of hell is done in terracotta and casted in resin.
True
False
"Father of Philippine Glass Sculpture." Roman Orlina
True
False
Wood Carving of Franco Cagayat’s “Jeepneys and Cars”.
True
False
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